From: owner-the-edge-digest@ (The Edge Digested)
To: the-edge-digest@robin-nvh.bvsd.k12.co.us
Subject: The Edge Digested V1 #40
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The Edge Digested        Monday, April 6 1998        Volume 01 : Number 040



Today's subjects from The Edge:
	[The Edge] Re: William S. Burroughs
	Re: [The Edge] William S. Burroughs
	Re: [The Edge] Re: William S. Burroughs
	Re: [The Edge] William S. Burroughs
	Re: [The Edge] Cut-Ups and Throckmorton
	[The Edge] [OnTE] trade

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Date: Fri, 03 Apr 1998 16:59:27 -0800
From: "Rev. Boblight" <blight@u.washington.edu>
Subject: [The Edge] Re: William S. Burroughs

> Date: Fri, 3 Apr 1998 16:44:51 -0800 (PST)
> From: "Adam T. Ness" <ness@SCF-FS.USC.EDU>
> Subject: [The Edge] William S. Burroughs
> 
>         Wow.  I finaly got around to reading one of these, and they are
> very... Visceral.  I'm reading "The Soft Machine", and it really doesn't
> fit my taste at all.   After the first three pages I'm tired of reading
> about kids dripping cum and shit.  I mean, surreal writing and
> impressionist writing is cool, but this stuff is just plain disgusting...
> I don't see how any of it can be taken as serious writing.

WHOA there, big guy!  You just jumped into the DEEP end!

What you're reading is Burroughs at perhaps his MOST experimental and
LEAST accessible.

Try _Naked Lunch_, or, better still if you like your writing linear,
_Junky_.  Also, his trilogy _Cities of the Red Night_, _The Place of
Dead Roads_, and _The Western Lands_ are more accessible.  In fact,
practically ANYTHING he wrote EXCEPT what you're reading will probably
be more to your liking.

- - Rev. Boblight
Descended Angel of Wotan

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------------------------------

Date: Fri, 03 Apr 1998 22:20:22 -0600
From: "Carl L. Congdon" <carlcong@nni.com>
Subject: Re: [The Edge] William S. Burroughs

Adam T. Ness wrote:
> 
>         Wow.  I finaly got around to reading one of these, and they are
> very... Visceral.  I'm reading "The Soft Machine", and it really doesn't
> fit my taste at all.   After the first three pages I'm tired of reading
> about kids dripping cum and shit.  I mean, surreal writing and
> impressionist writing is cool, but this stuff is just plain disgusting...
> I don't see how any of it can be taken as serious writing.

	Keep in mind that W.S. Burroughs was big in France...the same people
who drolled over Jerry Lewis' comic stylings.

	Also, keep in mind that this was Bill's "cut-up" period of writing.
He'd cut up words from books and newspapers, read them into a tape
recorder, listen to them later, and construct a paragraph. The book
you're attempting to read came from that technique. 

	Anyway, speaking of Cut-Ups, I have a theory that the Cut-Up Machine
and the Throckmorton Device are either rivals, brothers, lovers, or any
or all of the above, and Al Amarja is as whacked as it it is due to the
two machines sparring with one another. Or, following the lovers
tangent, they are each doing things to make sure the other one is used
and therefore maintained properly.

Any thoughts?

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------------------------------

Date: Fri, 03 Apr 1998 22:24:44 -0600
From: "Carl L. Congdon" <carlcong@nni.com>
Subject: Re: [The Edge] Re: William S. Burroughs

Rev. Boblight wrote:

> WHOA there, big guy!  You just jumped into the DEEP end!
> 
> What you're reading is Burroughs at perhaps his MOST experimental and
> LEAST accessible.
> 
> Try _Naked Lunch_, or, better still if you like your writing linear,
> _Junky_.  Also, his trilogy _Cities of the Red Night_, _The Place of
> Dead Roads_, and _The Western Lands_ are more accessible.  In fact,
> practically ANYTHING he wrote EXCEPT what you're reading will probably
> be more to your liking.

	I have to agree with that. At least in Naked Lunch, you can pick out a
thin direction that it's going in, and an illusion of a plot. Junky is
his most digestible work, as he is seriously discussing heroin and it's
effects on his life. Pretty profound stuff, so you know that he *could*
write conventionally and well when the mood took him.

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------------------------------

Date: Sat, 04 Apr 1998 03:29:23 GMT
From: robin@execulink.com (robin)
Subject: Re: [The Edge] William S. Burroughs

>	Wow.  I finaly got around to reading one of these, and they are
>very... Visceral.  I'm reading "The Soft Machine", and it really doesn't
>fit my taste at all.   After the first three pages I'm tired of reading
>about kids dripping cum and shit.  I mean, surreal writing and
>impressionist writing is cool, but this stuff is just plain disgusting...
>I don't see how any of it can be taken as serious writing.  

Burroughs is one of those truly experimental writers who has been
latched onto by the mainstream media. You can see him in movies,
videos, magazines; hear him on records; and so on. But just because
he's a popular media icon does not mean that his work is meant to
appeal to the majority of people. I imagine that most of the people
who hype his name have never even read his books -- they just think
he's this cool druggie kind of guy.

His works deal obsessively with sex, drugs, language, and the abuses
of hierarchical power structures. He expresses his manifold ideas
through writing that is dissonant, anarchic, and very powerful. Only
by breaking free of convention -- truly stepping outside the norms and
not just talking about it -- can he critique free of patriarchal
control. 

That said, The Soft Machine is one of Burroughs' most difficult works.
My favourite cut-up is The Ticket that Exploded, which has more in the
way of SF imagery. Or for more of a straightforward narrative you may
wish to try one of the later novels.

Q: Is control controlled by its need to control?

A: Yes.

+--------------------------+--------------------------------------+
| robin, co-ordinator      | <Word falling -- Photo falling --    |
| Grey Room cell           |  Time falling -- Break through in    |
| robin@execulink.com      |  Grey Room>       : W.S. Burroughs   |
+--------------------------+--------------------------------------+
|              jupiter.execulink.com/~robin/                      |
+-----------------------------------------------------------------+

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------------------------------

Date: Sat, 04 Apr 1998 12:57:32 -0700
From: Trevor Stone <tstone@robin-nvh.bvsd.k12.co.us>
Subject: Re: [The Edge] Cut-Ups and Throckmorton

Long, long ago, in a galaxy far, far away,
"Carl L. Congdon" <carlcong@nni.com> said:

>	Anyway, speaking of Cut-Ups, I have a theory that the Cut-Up Machine
>and the Throckmorton Device are either rivals, brothers, lovers, or any
>or all of the above, and Al Amarja is as whacked as it it is due to the
>two machines sparring with one another. Or, following the lovers
>tangent, they are each doing things to make sure the other one is used
>and therefore maintained properly.
>
Al Amarja is a microcosm of the universe.  Yin and Yang are constantly at work
trying to change the amount of chaos and control.  Sometimes there is more
chaos, sometimes more control.  Too much of either is bad, the universe cannot
exist as merely chaos or control, and so, though the Cut-Ups Machine and the
Throckmorton device are natuarl enemies, they complement themselves, each
cannot live without the other.  They are both rivals and lovers, both brothers
and strangers.  They set the course that the Tao will follow, but neither has
control over the Tao.

Trevor Stone; Eclectic Taoist; Human, Trident, Academic
=-=-=-= Trevor Stone =-=-= aka Flwyd =-=-= tstone @ robin . ml . org =-=-=-=
Eclectic philosopher, New Vista computer admin,  gamer, witster, esotericist
http://robin.ml.org/~tstone/             Thou wayward beef-witted pantaloon!
Cross James Dean with Ronald Reagan: Rebel without a clue.

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------------------------------

Date: 06 Apr 1998 10:52:00 +0100
From: st001183@hrzpub.tu-darmstadt.de (Oliver Hertel)
Subject: [The Edge] [OnTE] trade

Hoi!

Cards I still need:

 141  Ley Line Nexus
 244  Throckmorton Device

Cut-Ups

 C7   Blatant Scam
 C34  Funkasite
 C37  Horrors Count
 C44  Koanhead
 C55  Kofi Ogunlala
 C59  Paralytic Banana
 C74  Rex

Shadows

 D41  Julie Grouse

Arcana

 A9   The Truth about Necromancy
 A20  Bad Vibes
 A100 Farah Nekbeth


Cards I can offer:

Limited edition - rares

 63   Coral Entity
 106  Gremlins
 121  Human Ch'i Gun (2)
 136  Latent Hero
 188  Radio Laser Satellite
 194  Asha Rayhar

Limited Edition - uncommons

 16   Ghadir Allemi
 19   Anti-Matter Grenade (3)
 20   Aries Ambush
 21   Armada
 23   Astral Doorway
 35   Bellow
 41   Bloodlust
 48   Bull-Beater (2)
 49   Bystander Effect
 56   Mihaly Cieznick
 57   Cloak Ambush (2)
 58   Cloak Hit
 86   Adelina Escobar
 88   Abanobi Famani (2)
 91   Ben Feather-on-Wind
 101  Fury (2)
 126  Intelligence Contacts
 134  Joey Ko (2)
 135  Rigor Kwasek
 150  Fabrissa Melors
 153  Mole (2)
 160  Mutant Ambush
 161  Mutant Sympathies
 163  Mutation
 171  Marla Oceana
 173  Martin Oumage
 187  Jack Rack
 197  Angela Reyes
 202  Dr. Fernando Rodriguez
 209  Sabotage
 214  Self-Actualizer (2)
 221  Guiseppe Sizo
 223  Burford J. Slystick
 234  Stun Gas
 247  Trade Contacts in the Edge (2)
 248  Trident Morale
 254  Unanticipated Influence
 261  Guglielmo Vigneto (2)
 262  Ward agains Enemies
 266  Holly Winter

Cut-Ups Expansion Set

 C9   Jacob Brinker (2)
 C21  Coatless Code (2)
 C26  Deep Pockets
 C32  Fall of the Wall (2)
 C35  Giblets Granberry (2)
 C42  Emmanuelle Karmitz
 C50  Apocalypse Moorhouse (3)
 C52  Mrs. Brinker (2)
 C57  Mary Olekobaai (3)
 C65  Excel Quitlong
 C82  Malak Suzier
 C83  Anatoly Taghel
 C86  Undeserved Power
 C88  Olimpia Urgeghe
 C89  Anoop Varna (3)

Shadows Expansion Set

 D5   Monty Albion
 D13  Tommy Bakka (2)
 D24  De-Individuator
 D26  T. Joe Dreck (2)
 D31  Roz Fernseh
 D32  Otto Finkelstein
 D34  Flux
 D42  Thunder Gruen
 D43  Jill Grunder
 D45  Roman Gundle
 D52  Consuela Herrera
 D56  Azza Jami (2)
 D62  Freddie Manger
 D64  Kalev Maran
 D67  Moonsilk
 D74  Otz
 D79  Alonzo Rubio
 D84  Slaughter (2)
 D88  Squeaks
 D107 Walter Was (3)
 D115 Oma Zero

Arcana Expansion Set

 A26  Big Mitts
 A50  Execration
 A76  Andreij Kawierna (2)
 A152 Isis Zaman
 A153 Qubilah Zeroual

and X-Files, Mythos and Rage cards.

Ciao, Oliver

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------------------------------

End of The Edge Digested V1 #40
*******************************


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